Richard Sennett (born Chicago, 1 January 1943) is the Centennial Professor of Sociology at the London School of Economics and University Professor of the Humanities at New York University. Sennett is probably best known for his studies of social ties in cities, and the effects of urban living on individuals in the modern world.
He has been a Fellow of The Center for Advanced Study in the Behavioral Sciences, of the American Academy of Arts and Sciences, and of the Royal Society of Literature. He is the founding director of the New York Institute for the Humanities. In 2006 Sennett was the winner of the Hegel Prize awarded by the German city of Stuttgart,[1] and in 2008 was awarded the Gerda Henkel Prize, worth 100,000 Euros, by the Gerda Henkel Foundation of Düsseldorf, Germany.[2]
He is married to sociologist Saskia Sassen.
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Richard Sennett grew up in the Cabrini Green housing project in Chicago, coming from a family of Russian emigres. As a child he trained in music, studying the cello and conducting, working with Claus Adam of the Juilliard String Quartet and the conductor Pierre Monteux. When a hand injury put an end to his musical career, he entered academic life. He trained with David Riesman, Erik Erikson, and Oscar Handlin at Harvard, graduating with his Ph.D. in the History of American Civilization in 1969. His intellectual life as an urbanist came into focus during the time he spent as a fellow of the Joint Center for Urban Studies of Harvard and MIT.
Mr. Sennett's scholarly writing centers on the development of cities, the nature of work in modern society, and the sociology of culture. Families Against the City, his earliest book, examines the relation between family and work in 19th Century Chicago. A subsequent quartet of books explores urban life more largely: The Uses of Disorder, an essay about identity formation in cities; The Fall of Public Man, a history of public culture and public space, particularly in London, Paris, and New York in the 18th and 19th Centuries; The Conscience of the Eye, a study of how Renaissance urban design passed into modern city planning, and Flesh and Stone, an overview of the design of cities from ancient to modern times.
Another quartet of books is devoted to labor. The Hidden Injuries of Class is a study of class consciousness among working-class families in Boston; The Corrosion of Character explores how new forms of work are changing people's communal and personal experience; Respect probes the relation of work and reforms of the welfare system. The Culture of the New Capitalism provides an overview of these changes. Authority is an essay in political theory; it addresses the tools of interpretation by which people recast raw power into either legitimate or illegitimate authority.
Mr. Sennett currently is working on a project called 'Homo Faber,' exploring material ways of making culture. The first book in this series is The Craftsman, published in 2008; subsequent volumes are Together: The Rituals, Pleasures, and Politics of Cooperation, to be published in 2012, and a future volume on the making of the urban environment.
In the public realm, Mr. Sennett founded, and directed for a decade, the New York Institute of the Humanities at New York University. Mr. Sennett then chaired a United Nations commission on urban development and design. As president of the American Council on Work, Mr. Sennett led a forum, sponsored by the Rockefeller Foundation, for researchers trying to understand the changing pattern of American labor. Most recently he helped create, and has chaired, the Cities Programme at the London School of Economics. In 2006 he served as Chair of the jury of the Venice Biennale.
Mr. Sennett's literary "hobby" is writing about music, including novels with musical themes.
Fiction